Joseph Haydn | Concerto in C major (1st mov)
Božo Paradžik | SWD Kammerorchester Pforzheim | Sebastian Tewinkel
Status: double SACD release pending since 2008 / EBS Music - Bayer Records
Franz Schubert | String Quintett in C major (3rd movement)
Božo Paradžik & Apos String Quartet
Live in Philharmonie Berlin | Archive recording
Johannes Brahms | Sonata E flat major op.120 No 2 (1st mov)
Božo Paradžik, double bass | Maria Sofianska, piano
Status: ongoing release | estimated 2015
Johannes Brahms | Sonata E minor op.38 (3rd mov)
Božo Paradžik, double bass | Maria Sofianska, piano
Status: ongoing release | estimated 2015
Joseph Haydn | Concerto in C major (3rd mov)
Božo Paradžik | SWD-Kammerorchester Pforzheim | Sebastian Tewinkel
Status: double SACD release pending since 2008: EBS Music - Bayer Records
Leoš Janácek | Pohádka o caru
Božo Paradžik, double bass | Maria Sofianska, piano
Status: estimated release 2015-2016
František Hertl | Nokturno from "Four Pieces"
Božo Paradžik, double bass | Wolfram Lorenzen, piano
Live in Freiburg, Musikhochschule | Archive only
Antonio Capuzzi | Concerto D major (3rd mov)
Božo Paradžik | SWD-Kammerorchester Pforzheim | Sebastian Tewinkel
Status: double SACD release pending since 2008 / EBS Music - Bayer Records
Giambattista Cimador | Concerto A major (3. Rondo)
Božo Paradžik | SWD-Kammerorchester Pforzheim | Sebastian Tewinkel
Status: double SACD release pending since 2008 / EBS Music - Bayer Records
Adolf Míšek | Sonata in E minor (finale)
Božo Paradžik, double bass | Maria Sofianska, piano
Live recording, 2004 | Detmold, Neue Aula
Gioachino Rossini | Duetto
Božo Paradžik, double bass 1 |
Status: estimated release 2015-2016
Johannes Brahms | Sonata E flat major op.120 No 2 (3rd mov)
Božo Paradžik, double bass | Maria Sofianska, piano
Status: ongoing release | estimated 2015
Johannes Brahms | Sonata E flat major op.120 No 2 (2nd mov)
Božo Paradžik, double bass | Maria Sofianska, piano
Status: ongoing release | estimated 2015
Johannes Brahms | Sonata A major op.100 (1st mov)
Božo Paradžik, double bass | Maria Sofianska, piano
Status: ongoing release | estimated 2015
Schwarz-Weiß Schalter
Kontrabassschnecke

BRAHMS | sonata E minor op.38 | BASS PART ONLY | AEBF# & cGDA

BRAHMS  |  sonata E minor op.38  |  BASS PART ONLY | AEBF# & cGDA
FILE FORMAT: PDF | 300 dpi
RELEASE: final
SCORES: only Double Bass, two versions | 16 pages
SCORDATURA: in D, in F & in G | AEBF#, cGDA & dAEB
SOURCE: composer's original text | unamended
RECOMMENDED PIANO SCORES: G.Henle Urtext HN1134 (not included) | Bärenreiter Urtext BA9429 (not included)  |  Wiener Urtext UT50039 (not included)
COMMENTS: the  scordatura transp. in F (cGDA) is by far the preferred one, it sounds clearer and projects a lot better aside with (quite massive instrumented) piano part. It is especially important in the last movement, where transp. in D (AEBF#) sounds inferior. Scordatura in F is also technically easier to learn and some parts that are unplayable with the AEBF# tuning   (like the double-voiced  passage in the 1st movement, bars 227-230) are performed very easy with the cGDA scordatura. I have learned my lesson myself after several years of useless attempts to get the desired sound with the AEBF# scordatura and learned the piece again with the higher scordatura.

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