Johannes Brahms | Sonata E minor op.38 (3rd mov)
Božo Paradžik, double bass | Maria Sofianska, piano
Status: ongoing release | estimated 2015
Johannes Brahms | Sonata E flat major op.120 No 2 (2nd mov)
Božo Paradžik, double bass | Maria Sofianska, piano
Status: ongoing release | estimated 2015
Joseph Haydn | Concerto in C major (3rd mov)
Božo Paradžik | SWD-Kammerorchester Pforzheim | Sebastian Tewinkel
Status: double SACD release pending since 2008: EBS Music - Bayer Records
Gioachino Rossini | Duetto
Božo Paradžik, double bass 1 |
Status: estimated release 2015-2016
Johannes Brahms | Sonata E flat major op.120 No 2 (1st mov)
Božo Paradžik, double bass | Maria Sofianska, piano
Status: ongoing release | estimated 2015
Giambattista Cimador | Concerto A major (3. Rondo)
Božo Paradžik | SWD-Kammerorchester Pforzheim | Sebastian Tewinkel
Status: double SACD release pending since 2008 / EBS Music - Bayer Records
Leoš Janácek | Pohádka o caru
Božo Paradžik, double bass | Maria Sofianska, piano
Status: estimated release 2015-2016
Johannes Brahms | Sonata A major op.100 (1st mov)
Božo Paradžik, double bass | Maria Sofianska, piano
Status: ongoing release | estimated 2015
Johannes Brahms | Sonata E flat major op.120 No 2 (3rd mov)
Božo Paradžik, double bass | Maria Sofianska, piano
Status: ongoing release | estimated 2015
Adolf Míšek | Sonata in E minor (finale)
Božo Paradžik, double bass | Maria Sofianska, piano
Live recording, 2004 | Detmold, Neue Aula
František Hertl | Nokturno from "Four Pieces"
Božo Paradžik, double bass | Wolfram Lorenzen, piano
Live in Freiburg, Musikhochschule | Archive only
Franz Schubert | String Quintett in C major (3rd movement)
Božo Paradžik & Apos String Quartet
Live in Philharmonie Berlin | Archive recording
Antonio Capuzzi | Concerto D major (3rd mov)
Božo Paradžik | SWD-Kammerorchester Pforzheim | Sebastian Tewinkel
Status: double SACD release pending since 2008 / EBS Music - Bayer Records
Joseph Haydn | Concerto in C major (1st mov)
Božo Paradžik | SWD Kammerorchester Pforzheim | Sebastian Tewinkel
Status: double SACD release pending since 2008 / EBS Music - Bayer Records
Schwarz-Weiß Schalter
Kontrabassschnecke

BRAHMS | Sonata E minor op.38 | BASS PARTS ONLY | GDAE, AEBF#, cGDA and SCANS

BRAHMS  |  sonata E minor op.38  | 3x BASS PARTS ONLY | GDAE, AEBF# and cGDA
FILE FORMAT: PDF | 300 dpi
RELEASE: final
SCORES: only Double Bass, three versions | 24 pages - and bonus material 16 pages (see under "BONUS MATERIAL")
PIANO PART: not included, but there are many great parts to be found easily even for free in the world web, if necessary. Many pianists own their own piano part of this piece, as it is such a famous composition.
SCORDATURA: in F (cGDA), in D (AEBF#) and in C (GDAE)
BONUS MATERIAL: this updated release (since August 2021) contains also scanned copies of my own parts (for cGDA and for AEBF#) with all my handwritten markings like fingerings, bowings or articulations. An additional page explains my fingerings system to make the scans as useful as possible.
SOURCE: composer's original text | unamended
RECOMMENDED PIANO SCORES: G.Henle Urtext HN1134 (not included) | Bärenreiter Urtext BA9429 (not included)  |  Wiener Urtext UT50039 (not included) - every piano part should match this edition.
COMMENTS: My own experience with this piece was rich: I have played it first with AEBF# ("solo" tuning), later I've decided to learn it again with the scordatura transp. in F (cGDA), which is in my opinion the best working one for this piece. It sounds clearer, which is a big advantage in this piece, especially in the last movement to match such a massive piano part. Scordatura in F also has better playability (some parts are unplayable with the AEBF# tuning, like the double stops in 1st movement). Also the version in "orchestra tuning" GDAE offers better playability than the AEBF# tuning.

Recording with high C tuning (cGDA):
 

 

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