AUBRECHT, Mathias
"Romance" for double bass & piano
Double bass part for GDAE tuning
The piano part is printed in the appendix of F. Simandl's double bass method (in the booklet 3 / 9)
The reprint of the booklet N°3 (of 9) by CEFES edition can be ordered HERE
The reprint of all 9 booklets (with more than 50 compositions) by CEFES edition can be ordered HERE
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BACH, Johann Sebastian
Goldberg Variations, Var.1
double bass in F (cGDA) - piano's left hand in original key and octave
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BACH, Johann Sebastian
Sonata BWV 1028 in D major, 1st and 2nd movement
double bass in G (dAEB) - viola da gamba part in original key and octave
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BEETHOVEN, Ludwig van
Sonata in G minor, op. 5, N°2, 1st and 2nd movement
double bass part (GDAE) - URTEXT adapted for double bass, in original key and octave
play the same piece Dragonetti performed together with Beethoven in Vienna around 1800
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BOTTESINI, Giovanni
Urtext, Elegy "in D major" (actually obviously in C major)
Piano score, published in Bottesini's "Grande Méthode Complète" (Ed. Léon Escudier, Paris, 186?)
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BRAHMS, Johannes
Sonata in e minor, op. 38, only 1st movement
double bass part (GDAE) - URTEXT adapted for double bass, in original key and octave
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LÁSKA, Gustav
Etude in C major, technical exercize, very useful for basic bowing variants
Tuning: any
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PAJARILLO
Venezuelan traditional folk music
Double bass part (may not match all interpretation variants)
Tuning: GDAE
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SCHUBERT, Franz
"Arpeggione" Sonata - URTEXT
D 821 (opus posth.) only 1st movement - double bass part only (transp. in D / AEBE)
High quality editorial style, typical for the items in this online shop, enjoy the urtext version
Compare the unsupplemented composer's text with another double bass releases
A full version will be released in the online shop ETA beginning of 2021
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VAŇHAL (also: Vanhall, Vanhal, Wanhal, Van Hall), Johann Baptist
Concerto for double bass and orchestra, solo part in D major - HISTORICAL SOURCE (complete part, incl. tuttis in the appendix).
Originally composed and carefully adapted for "Viennese tuning", this frequently played work is at times quite problematic to transpose on a modern double bass tuned in fourths. Here is a worthy alternative for the soloists in D major, which has a bit better compatibility with the original than the variant in C major. The differences in direct comparison to the more frequently played variant in C major:
- some octaves are lower than in the historical source, the manuscript of J. M. Sperger and sound more "bassy", in the natural register of the double bass
- in the performance of the entire concerto, fewer adjustments are necessary overall than in the part in C major, especially in the 3rd movement
- in this way, depending on the tuning, the performance is likewise possible in the sounding D major, E major, but also in the original key (E-flat major), if desired: for example if the "solo tuning" is tuned a half tone lower
Complete orchestral material formatted to the highest professional standards is available in all three keys. The orchestral editions also include the historical cadenzas (composed by Václav Pichl)
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DOUBLE BASS ENSEMBLES
LÀ-HAUT SUR LE MONTAGNE (Le Vieux Chalet)
Swiss folk song (Canton Fribourg), composed ca 1911 by Abbé Joseph Bovet
Adapted by Božo Paradžik for three double basses
This song has four verses in the original. This version features 1st verse as an intro for two basses in alp horn style, followed by two verses for 3 double basses instrumented slightly different way and a short outro for 2 double basses in alp horn style
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MOZART, Wolfgang Amadeus
Two canons in three voices, KV 507-508
Simple, short compositions, adapted for three double basses by Božo Paradžik
Particularly interesting is KV 508, where the voices appear a tone higher than the previous one
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CHRISTMAS IS COMING
Famous Christmas song composed by Edith Nesbit Bland, as canon for four voices, adapted by Božo Paradžik
Score only (suono reale), without markings
Full versions of this arrangement with the parts for various scordaturas are available in the online shop.
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